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Seto Kaiba

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    Lagrange Terrace (a stable community)
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    Anime (duh), Antique Firearms, Cryptography, Mechanical Design

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  1. As noted previously, Disney is just a sublicensee to the streaming rights... the companies working to localize and distribute the shows outside of Japan are the ones who licensed them back in '21. This should not pose any impediment to a home video release.
  2. That's from the PlayStation 3 game (and light novel) Macross 30: Voices Across the Galaxy... one of the few non-animated Macross works to be explicitly part of the official setting. That different characters from past Macross titles keep popping up is a major part of the story, and there's representation from pretty much every animated title that existed at the time the game was made except for Macross II. Because the timey wimey ball is very much in play thanks to a temporal weapon, you get to see weird stuff like Sheryl meeting her grandmother (Mao) and her great aunt (Sara) when both of them are technically younger than she is, Mylene bickering with Quamzin despite him having died decades before she was born, or an SMS crew from 2060 sh*tting a brick when the SDF-1 Macross from 2009 suddenly appears in their vicinity carrying a crew of legends. For instance, that crowd of all the idols from past titles standing together at the end of the trailer is not something figurative... That is an event that literally happens in the story.
  3. Most VFs are single seat, you're thinking of single engine. There is presently no art for, and no physical description of, the VF-5. What little we know about it is known to be loosely inspired by the F-5E Tiger II and F2Y Sea Dart. Specifically, the VF-5 draws inspiration from the F-5E in the sense that it was developed as a low cost fighter intended for export sale and from the F2Y in the sense that it was developed with water landing capability. Nothing is said about its physical configuration relative to either of those designs that inspired its description.
  4. As far as we know, there are no single-engine Valkyries. The closest we have is the Sv-262, which mimics the appearance of a single-engine design by having one main nozzle in Fighter mode. Economic factors and cost-performance actually come up surprisingly often in the development histories of many models of VF. The only models that I know of where it wasn't a consideration were the YF-29 and YF-30, both of which were technology demonstrators and both were ultimately impractical due to their bank-breakingly huge price tags and never saw any kind of widespread use despite their incredible potential. The 2nd, 3rd, and 4th Generations all feature cost performance as a prominent concern in development and/or operation, and the entire 5th Generation could be said to owe its existence to economic factors. The 6th, as least as Master File describes it, is a pipe dream for cost reasons. Adoption of the YF-21/VF-22 was sunk in part because it was both more expensive than the YF/VF-19 and too expensive for widespread deployment. That's a bit of a catch-22, since active stealth is one of the most energy-intensive systems running in Fighter mode. Having only one engine would reduce the available generator surplus for the active stealth system and make it less effective, not more.
  5. At about the halfway point of the Spring '24 season, I'm feeling pretty disappointed in most of the 25 titles I've picked up. The ones I'm following are: Compared to previous seasons, Spring '24 has a lot more variety in terms of genres and approaches to them. There are only a few genuinely bad titles in this season, but there are quite a few that definitely feel like they're a bit half-baked or needed more development before production. The best of this season, IMO, are Viral Hit, Astro Note, An Archdemon's Dilemma, The Many Sides of Voice Actor Radio, Vampire Dormitory, and As a Reincarnated Aristocrat, I'll Use My Appraisal Skill to Rise in the World. Viral Note in particular is a very unconventional title that's kind of hard to watch not because there's anything wrong with it, but because it's both a lovingly rendered martial arts story with a fairly dark plot and a scathing critique of influencer culture at the same time. Its story of a young student who's bullied by his influencer classmates repeatedly and works part-time jobs to pay for his mother's cancer treatment learning to fight after discovering he can make a fortune livestreaming fights against his bullies is an underdog story that's easy to get into and more than a little depressing to follow. Astro Note, An Archdemon's Dilemma, and Vampire Dormitory are all light fluffy romance comedy fare with sci-fi, fantasy, and modern light fantasy spins. If you liked Ouran High School Host Club you'll probably like Vampire Dormitory. The Many Sides of Voice Actor Radio is both a slice of life comedy and a fairly honest portrayal of the toxic working conditions of Japanese celebrities at the same time, and it does a fantastic job of getting its audience invested in the characters. As a Reincarnated Aristocrat stands out especially prominently in its genre (isekai) with a particularly unusual take. It's not an accident that the really successful isekai titles are all ones that subvert the genre's core power fantasy themes in significant ways, and As a Reincarnated Aristocrat's subversion is especally odd and handled in an intriguing way. Ars's reincarnation superpower is authentically useless in almost any context. His ability to see the potential of other people expressed numerically means that the challenges he faces are resolved indirectly. Instead of solving problems himself through force or trickery, the driving force of the story is Ars needing to understand the situations of the people that he confronts and find the right way to persuade them to join his cause becuase they hold the key to solving some greater context problem his family faces.
  6. So... I went and saw Mobile Suit Gundam SEED Freedom when it hit theaters here in the US. Not gonna lie, if I were a Cosmic Era fan I might be feeling a bit cheated by the movie. It's beautifully animated, but it doesn't really do anything to take any of the characters in a new direction or develop them further in any significant way... and the antagonists are, well, ... As conclusions go, it felt pretty halfhearted to me.
  7. Disney's a sublicensee, so the dubbing will probably be done by the distributors who licensed the shows from Big West.
  8. Anyone holding out for universal agreement in a fanbase as large and diverse as Star Wars's will be waiting a VERY long time... I'd argue the more relevant point is the second one, that when the vocal Star Wars fans DO speak up about what they want what they're asking for usually lacks that all-important "general audiences" appeal... when it's not simply impractical or impossible. (For instance, doing away with the sequel trilogy.) I agree completely... but enough fans are into that kind of thing that it does demonstrably sell, though better practice would be to keep it to secondary media like novels and comics. 🤔
  9. To be frank, I'm not sure that's necessarily true. On an individual level, many fans do seem to have a pretty clear idea of what they want from Star Wars. All you have to do is ask and many of them will tell you quite a lot about what precisely they want from it. They just can't manufacture a consensus because the fanbase is so bloody big and so heavily divided against itself. It surely doesn't help that what the die-hard fans want and what is actually marketable are often two very different things. Tales of the Empire is exactly the kind of writing which the franchise has historically used to pander to that die-hard crowd. Their whole "every single background character is the hero or villain of another story" schick is standard expanded universe writing and something that Star Wars frequently indulged in before Disney. So much so that even a filthy casual like me had one or two of the "Tales of ______" books. It might be weak writing to general audiences, but to the die-hard fans it's continuity porn.
  10. The obvious problem with that idea being that "stupid" is a highly subjective value judgement. A sufficiently skilled spin doctor can make even objectively unsound ideas sound brilliant... and with enough polish, ideas that started out sounding completely imbecilic when they were first proposed can be refined into something genius. Star Wars itself started out as the latter case. George Lucas's original concept for it was a complete trashfire, and with a truly gargantuan amount of patient refinement it was turned into one of the most iconic films ever made. Considering that the usual Star Wars story format is either a simplistic "Good vs. Evil" narrative about the eternal conflict between incorruptible pure pureness and baby-eating complete monster villainy or a side story that takes the form of a string of interstellar fetch quests, I'd reckon Star Wars could do with a bit of complexity in its life like what we got in Andor. Not that I think we'll get that from The Acolyte, since the Jedi and Sith live in a world of moral absolutes and the Dark Side seems to run on motive decay and encourages jumping off the slippery slope. FWIW, it'll be damn pretty to look at and the fight choreography is going to be very solid.
  11. So... I just got back from the 25th Anniversary re-release of The Phantom Menace and got to see the promo reel they had for The Acolyte after the film. The promo reel was... All in all, pretty to look at but not very substantial. It's not enough to give a real impression of the series proper but it doesn't give me much hope for the show's writing.
  12. So... if there's a Most Improved award for an anime season, HIGHSPEED Etoile might be in the running. The director and animators seem to have finally figured out how to animate a race in an exciting and visually appealing manner. If everything else weren't still horrible, I'd almost believe it was a completely different show. It's not exactly a dignified plot twist that the protagonist Rin Rindo suddenly goes from propping up the bottom of the rankings to the middle of the pack as a result of...
  13. The fatigue is indeed real. Your example is a fantastically appropriate one. The Star Wars franchise is encountering exactly the same kind of audience fatigue that Star Trek did in the late 90's and early 00's, and the Disney execs overseeing it are making the same mistakes that the Paramount execs who flew Star Trek into the ground did. They have a formula that worked well and are unwilling to consider deviating from it even as it becomes increasingly stale and uninteresting. They've got an enormous and highly versatile setting but a very narrow view of the kind of stories that are appropriate to tell in that setting, Maybe the Star Wars writers feel hemmed in by the second word in the title... everything has to come back to a war. (Not that Star Trek learned its lesson either... they just waited until the fatigue wore off and went back to doing exactly what they were doing before.)
  14. Well, after seeing this new trailer, it definitely feels like The Acolyte is headed into Plot Hole: the Series territory. We'll know for sure in a month, though. Except, of course, for any characters appearing in later titles... e.g. Yoda. They're perfectly safe.
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