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Seto Kaiba

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  1. Seto Kaiba
    They don't really accomplish much... Vader's and his two wingmen do all the actual work, but the point is taken. It was more than three... but still far, FAR, FAR less than the seven thousand they could've and would've mustered to squash the Rebel attack outright if they weren't holding the idiot ball. If they'd taken their jobs seriously, Vader and Tarkin would still be alive, the Death Star would've blown Yavin IV to bits, and Lucas would've needed a rather different title for A New Hope. (The Emperor actually did it right, and would've won outright in Return of the Jedi if he hadn't let his complexity addiction force him to grab the idiot ball and fail to properly secure the perimeter of the shield generator base on Endor.) Tarkin was told point-blank that there'd been a security leak at the facility that developed the Death Star, and instead of fixing the problem used it to undermine a rival. He knew going into the Yavin operation that the Rebels had the Death Star plans he'd been previously told probably contained a potentially fatal intentional vulnerability and makes ZERO effort to protect the station. Then he's warned mid-battle that the Rebels are definitely onto something, and blows it off. That's not a one-in-a-billion freak accident, he was told several times there was a serious threat and he ignored it or dismissed it out of hand. If you got a recall notice saying that your car has a flaw that could cause it to spontaneously explode, a sensible person would get that recall taken care of straightaway. They wouldn't toss the recall notice unopened and then act surprised when the car blew up and killed them.
  2. Seto Kaiba
    To be fair, this is the exact same f*ckup that Darth Vader made in A New Hope... Vader and Tarkin had command of an incredibly powerful battle station that supposedly had something on the order of SEVEN THOUSAND starfighters at its disposal, as well as a few docked Star Destroyers. The total number of starfighters launched to counter and contain the multiple fighter squadrons in the Rebel attack force? THREE. The total number of ships and starfighters launched to contain the Rebel base while the Death Star got into position? ZERO. The entire Star Wars series is only possible because the Imperials are juggling the idiot ball at any and every opportunity. Mostly, it takes the form of believing themselves to be totally invincible despite all evidence to the contrary (e.g. Scarif in Rogue One, the Death Star in A New Hope, the Death Star II: Sith Boogaloo in Return of the Jedi), though they moonlight as bumblers who screw up because the threat of having to explain themselves to Darth Vader has them so terrified they don't think rationally or behave professionally (e.g. every Imperial officer in Empire Strikes Back) or are so busy backstabbing and undermining each other in the name of political point-scoring that they do more favors to the Rebellion than themselves (e.g. Krennic and Tarkin in Rogue One). The First Order, as an Imperial remnant, are just keeping the grand tradition of Imperial incompetence alive and well into the future. Was it the first example? IIRC there was something about the hyperdrive leaking in The Phantom Menace that restricted the range of their hyperspace jump until they could no longer jump all the way to Coruscant, forcing them to divert to Tatooine. (I mean, they never say what the hyperdrive is leaking, but still...) I'd expect the reason they didn't split their forces was that they had one cruiser and three escorts. The vast majority of their forces were on the cruiser, the only ship big enough to hold them all, so splitting up would just give the First Order three weak escorts to ignore and one now-alone vulnerable cruiser carrying most of the Resistance.
  3. Seto Kaiba
    Well, it's nice to know they didn't just fold or fall off the face of the Earth the way Harmony Gold's previous partners-in-cancellation did...
  4. Seto Kaiba
    Actual character development and story progression in an "original" Robotech work? Jeez, look who wants the moon.
  5. Seto Kaiba
    What it seems to be headed for is dying in interesting times... While the CBS/Viacom re-merger is cause for some slight optimism, I doubt it will have any meaningful impact on Star Trek: Picard or Star Trek: Discovery. The studio's already sunk a lot of money into Kurtzman's unsuccessful Abrams-ized bleak, depressing, action-oriented vision of Star Trek, and they're practically guaranteed to plow ahead with it regardless in a forlorn hope that it might one day be liked by fans and begin to pay off. The dearth of Star Trek: Discovery merchandise and the reported walkout of licensees who were solicited for bids on Star Trek: Picard merchandising licenses would suggest this is probably A Very Bad Idea, but some people will cling to a mistake just because they spent a long time making it. As polarizing as Bill Shatner has been in recent years, I have to admit I'm with him on one thing... the attempts to make Star Trek into a gritty, sci-fi action series through things like the J.J. Abrams films, Star Trek: Discovery, and now Star Trek: Picard and the persistent-but-apparently-unfounded rumors of a Quentin Tarantino Star Trek movie would have Roddenberry spinning in his grave. It's the polar opposite of the vision of an optimistic, principled, and inclusive future for humanity among the stars that he conceived in the original Star Trek and in Star Trek: the Next Generation. To briefly expound on the above, I think the thing that bothers me most about the Abrams/Kurtzman clusterf*ck in Star Trek: Discovery that's being carried forward into Star Trek: Picard is how Star Trek is suddenly treating racism (speciesism?) as something that's excusable, acceptable, or even justified. In every previous Star Trek show, judging a person by their race/species and generalizations about same was treated as a moral failing and something which wasn't acceptable, socially or otherwise. Burnham's bigotry is not only treated as completely acceptable in Discovery, it's excused and even treated as justified by making the Klingons almost completely malevolent for much of the story. I'm rather afraid of how Picard will run with the titular character's known issues with the Borg and Romulans, given the trauma he's encountered at the hands of both.
  6. Seto Kaiba
    Remember to always spay or neuter your screenwriters. (In all seriousness, I thought screening it in theaters with liquor licenses was the fix.)
  7. Seto Kaiba
    Rampant tracing is a Robotech tradition! They're just showing how well they understand the source material.
  8. Seto Kaiba
    Both, actually... it's fairly blatant in both cases, though Jar-Jar's borderline minstrel show shenanigans really took the cake. I doubt it ever even occurred to George that they might be seen as offensive. Previous generations had much lower standards for that kind of thing. The things I've heard my own grandmother say... and she's only ten years George's senior. In all honesty, I disagree with your assessment... our society is gradually and collectively coming to the realization that there's no actual reason to continue to tolerate the racist and sexist bullsh*t that previous generations took for granted and enforced. It's not about getting offended, it's about having some standards as a society that professes to believe that all men were created equal. ... the colossal amounts of Star Wars fan grumbling about almost every aspect of the film revealed beforehand, from Rey and Finn being "diversity" casting choices, to fans carping that it wasn't the Thrawn saga, down the line to people b*tching about how Phasma's armor didn't look like women's armor (read: "sexy"). You and your friends might not have, but a LOT of Star Wars fans did. A lot more came to the party after the fact, as evidenced in pretty much every thread about the new trilogy on these forums. A lot - and I mean A LOT - of the EU was exactly that... bad fanfiction. Mind you, just blatantly knocking off existing plots is a staple of bad fanfiction writing too. You're not exactly the arbiter of who is and who isn't a fan... which tends to render this objection invalid. But the majority of them ARE... a handful of exceptions doesn't make the general rule false and you know it.
  9. Seto Kaiba
    Just a random detail that I found amusing/cute in Variable Fighter Master File: VF-25 Messiah... When Sheryl moves on to Macross Olympia c.2064 and retains a personal guard from the Strategic Military Services branch in Macross Olympia, she specifically requests a pair of VF-25F Messiahs (Queen's Knights) as her ship's escort with the MODEX numbers 727 and 1123... Alto's birthday, and her own.
  10. Seto Kaiba
    In the Macross Frontier movie version, Sheryl Nome's potentially lethal V-type infection was concentrated in her vocal cords rather than her brain. Her vocal cords were being surgically removed and replaced so that the V-type infection wouldn't kill her.
  11. Seto Kaiba
    I'm inclined to disagree in part... because Star Wars always had problems making its concepts into something someone would actually want. George Lucas's original scripts for Star Wars were a pile of hot garbage so unworkable that Harrison Ford told him "George, you can write this sh*t, but you sure can't say it". The thing that made Star Wars's original trilogy into a classic was that George Lucas was surrounded (forcibly) by a group of talented individuals who were there to hold his leash and restrain his creative excesses to ensure that what made it into the script and onto the screen was something someone besides George Lucas would find palatable. After Lucas and his minders turned out three hit films and the property lapsed into a period where no new development occurred for over a decade, people kind of forgot that our boy George succeeded because his creative output was being aggressively filtered. He was given a free rein, and the godawful mess that aggressive filtering had kept the audience insulated from started to leak out all over Star Wars. We got Phantom Menace and the racist caricatures infesting it, the memetically awful child Anakin, famously wooden acting on the parts of multiple actors, and a pair of sequels with the worst love story this side of Twilight. From where I stand, the problem is Star Wars fans. Not just the fandom in general, but the promoted fanboys working on Star Wars as well. Nobody outside of Star Wars's die-hard fanbase gave a damn that Disney got rid of the Expanded Universe, but for that (admittedly large) demographic it was a thrown gauntlet and a lot of them went into TFA determined to hate it regardless of its quality or lack thereof. The people working on the films, who grew up with Star Wars, are developing the kind of stories THEY want to tell... which is, yes, in "bad fanfiction" territory. There are some good ideas among the heavily derivative dross, but they're unpolished and the Disney corporation is sanitizing it all to ensure that there's nothing in there which might deeply offend general audiences because Disney is all about family-friendliness. Just like the Star Wars Expanded Universe, they tripped themselves up by making a direct sequel to Return of the Jedi that included an obligatory Happy Ending Override because, damn it all, Star Wars fans don't give a tinker's damn about a story which doesn't involve Luke Skywalker, Han Solo, and Princess Leia. The group that's being pandered to - the pandering that's making Star Wars such a mess - is the Star Wars fanbase. They tried to make The Force Awakens appeal to Star Wars fans who were determined to hate any future sequel for not following the old EU by putting in all kinds of familiar plot beats and references, and fans hated it for being derivative. They panicked, and tried to appeal to the Star Wars fandom by doing something radically different and subverting expectations... but the fans hated THAT just as much. The irony is that they tried twice to pander to Star Wars fans with really obvious fanfiction-y stories (Rogue One and Solo), and managed a perfect 50/50 split between "love" and "loathe" based on how much it shook up the sacred cow that is pre-existing Star Wars lore. It's always been like that. Popular fiction in general has ALWAYS been like that. This is not new. (Seriously, go back and look at the stuff you watched as a kid. They weren't making even a token effort to hide it... to the extent that it was extremely common for characters to stop and address the audience directly about whatever Aesop the show was about that week.) Yet general audiences seem to be pretty OK with the new trilogy... the ones getting outraged, and the ones whose outrage Disney is pandering to, are the Star Wars fans. It'd be nice if Disney didn't make identity politics such a big part of its marketing for the first one, but that's not really the underlying problem. ... I'd question how good Marvel's read of its fans is, given their track record on the small screen. The politics is still there in Rogue One... Star Wars fans just overlooked it, as they did in the original trilogy, because the quality of the writing was better and because it tied into the parts of Star Wars the fans are so devoted to the memory of without actually impacting anything.
  12. Seto Kaiba
    Personally, my view would be aligned with the fan theory that Macross II: Lovers Again is a popular in-universe work of dramatic fiction from the early 2040s. That would explain (in-universe) why the OVA's soundtrack seems to be EVERYWHERE in Macross 7, from the repertoires of the other popular musicians in the 37th emigrant fleet to hit music on the Galaxy Network charts, why the Minmay Attack girl has a cameo in the series as an already-successful idol singer, and why the Macross 7 NUNS's attempt to put together its own Sound Force (the Jamming Birds) uses the same songs the military was promoting for its events in the OVA (e.g. Riding in your Valkyrie). The UN Spacy of Macross II relies heavily on Zentradi warships the way the postwar Spacy did in the main Macross timeline, there are still Destroids, and the VF-2SS Valkyrie II is roughly on par with a VF-11 performance-wise (the military's current main fighter) even though it's more technologically advanced. My guess would be it was probably shot using real Zentradi ships, modified Regults, and VF-11's that were CGI'd to appear as VF-2SS's the way Basara's VF-19 was to be CGI'd into Hikaru's VF-1S for The Lynn Minmay Story. 2092, but yeah... it's a ways into the future yet. (2091-2092 if you take Macross Chronicle's view, which adds up to a self-indulgent Gundam reference when you note this puts the conflict in year 0079 of the New Era calendar that was established in Flash Back 2012.) Well, at the very least, Macross prime continuity Komilia and Macross 2036 Komilia are pretty much identical (thanks to Mikimoto-sensei). He did sneak some other nods to Macross 2036 and its sequel Eternal Love Song into his other Macross works. The pilot suit in Macross 7 Trash is the same model from Eternal Love Song albeit tweaked slightly WRT the hard-armor segments, and Global's uniform in Macross the First includes the Valkyrie pilot's wings from Macross II among his decorations.
  13. Seto Kaiba
    Wasn't that the joke that was doing the rounds when Star Wars VIII's title was revealed? That the whole story arc would be The Force Awakens The Last Jedi From His Nap?
  14. Seto Kaiba
    Not really, no... this just means that the Star Trek rights will be united under a single roof again. It won't do anything to fix the problems with existing developments like STD, Picard, or Lower Decks. It just means that, when Star Trek: Picard tanks like Star Trek: Discovery did, they can chuck them both (and Lower Decks in the bargain) and produce something that actually resembles real Star Trek again instead of Abrams and Kurtzman's watered-down sewage runoff. As opposed to Bad Robot, which is just a regular curse.
  15. Seto Kaiba
    None to speak of. Not clear if it has more firepower, but it has a lower rate of fire because it's recharging a capacitor bank off the reactors. I'm not sure it's more realistic, and official materials are pretty clear about the Strike Pack using particle beam cannons. It's just a thing they did for unclear reasons for the Master File books. It's a particle beam cannon on the VF-1's Strike Pack officially, the Master File book's description makes it out to be a gas dynamic laser cannon using a very toxic gain medium (unnecessarily, since the gain medium in question is one used for lasers operating in atmosphere and the cannon is solely for space use.)
  16. Seto Kaiba
    They weren't in any kind of salad form, were they? That can be terribly dangerous. Is it just me, or is what you've got there in Chinese instead of Japanese? Anyhoo, as you probably surmised from the fact that there are numbered captions on the art, yes there is some modest amount of info. From left to right they are an expanded capacity version of the standard NP-FAD-23 option pack with more propellant for its large boosters and the same missile capacity, a failed atmospheric-use Strike Pack concept, and two alternative takes on a traditional Strike Pack-like configuration #3 being internally powered and #4 being recharged off the engines. As per Master File's usual, it describes the guns as chemical laser cannons instead of the particle beam cannons that Strike Packs are in the official setting materials.
  17. Seto Kaiba
    TBH, Star Wars always felt like it had this problem to me. Almost every hyperspace jump in Star Wars seems to take less time than a regular commuter flight. Except for that first jump from Tatooine to Alderaan where Obi-wan apparently had enough time to train Luke in the basic rudiments of the Force, the Millennium Falcon always seems like it gets where it's going in the space of just a few hours or less. This speed of plot stardrive got even less subtle in the prequels where one-man Jedi starfighters were jumping all the way from the galactic core to the outer rim without so much as a potty break. If you can travel a galactic radii in only a few hours, space feels tiny because technology has MADE it tiny. The only other hyperspace jump that felt like it took a long time in the films was the one in Phantom Menace when the Queen's personal starship fled Naboo and flew to Tatooine. Jar-Jar Abrams did, at least, build a half-assed excuse for this into the Star Trek reboot movies by establishing that the unnaturally advanced tech was reverse-engineered from late 24th century tech... so their warp drives feel faster because they literally are faster than their Prime universe contemporaries (by more than double).
  18. Seto Kaiba
    There is that, yeah... the improved Inertia Store Converter on the VF-31 Siegfried customs insulates the cockpit from up to 29.5G, so the pilot isn't going to have an intuitive feeling for how much stress is on the airframe at any given time. It's kind of a necessary evil since otherwise the pilot would have almost no chance of withstanding the intense g-forces that the 5th Generation VFs are capable of producing with their monstrously high engine outputs. Hayate's unconventional dance-inspired fighting style is full of maneuvers that impose high asymmetric g-loads on the airframe. Not that many of them had much of a choice... it wasn't really until the 4th Generation's initial batch of prototypes (YF-19 and YF-21) that VFs finally reached the point where the thrust to weight ratios crossed the 10:1 point and loss of control due to high g-loads became an issue. Rolling that back a bit to the point where VFs could still benefit from the improvements made in the thermonuclear reaction burst turbines without pushing the fleshy meats in the pilot's seat to the breaking point was the main goal of the VF-171.
  19. Seto Kaiba
    If the rumors are true, less someone's fanfiction and more someone's incredibly clumsy attempt to write around characters George Lucas still gets paid royalties for the use of.
  20. Seto Kaiba
    They were introduced somewhere between Windermere IV's secession from the New UN Government in 2060 and their first offensive against Al Shahal in 2067, but beyond that it's not entirely clear. The White Knight of the Black Wing makes it seem like they were adopted only a year or two, maybe three at the outside, before Windermere launched its second war on the New UN Government. Their first use in actual combat, and the first actual combat sortie of most of the Aerial Knights in the series, was the Al Shahal operation. Less than two years, given that Arad Molders was using a VF-31A Kairos in ep21's flashback to Walkure's unsuccessful early operations in 2065. Arad's VF-31A was likely one of the very first VF-31s built, if not a prototype as alleged by Master File, given that the Kawamori indicated he envisioned the VF-31 as being 2-3 years from adoption by the New UN Forces in the Brisingr cluster... in 2069 or 2070. It's not 100% clear why Keith's Sv-262Hs Draken III was having durability issues from his use/abuse of the fold reheat system since it was designed with it... and it'd be a really bizarre oversight if the Hs variant wasn't stressed for the greater output of its more potent fold reheat system given that it is also a production variant. The VF-31 Custom Siegfried units produced by Xaos Valkyrie Works for the Xaos 3rd Fighter Wing's Delta Flight had durability issues because they were modified from the stock VF-31A Kairos trial production units that Xaos was testing on behalf of the Brisingr Alliance NUNS. The VF-31's airframe was designed for the stresses imposed by the FF-3001A engines that its specs called for. The Siegfried customs swapped those FF-3001A engines for a detuned version of the YF-30's FF-3001/FC2 engines, which provided 14% more maximum instantaneous thrust in normal operation and 31.1% more thrust when the fold wave system was active. Between that and Hayate's dance-inspired combat style and wind riding, it put a LOT more stress on the airframe.
  21. Seto Kaiba
    Either that or that they didn't have the resources necessary to destroy it properly... as was the case with the Protodeviln, and apparently the Fold Evil. (Or bringing sufficient force to bear would've been needlessly destructive, involving destroying planets or other potentially-showy and attention-getting methods that would otherwise attract the attention of the Zentradi and/or Supervision Army.) It'll be interesting, since the ship designs they're peddling are clearly General Galaxy designs that've been modified somewhat and they'd purchased the SV Works from General Galaxy. If it comes out that they've been involved in the Var crisis from the beginning and were originally working on ways to weaponize it, things could go poorly for them. It comes up at one point early in the series, when the Aerial Knights return to Windermere and Keith is told the power system on his Draken III is shot and he'll need to use a different aircraft while they repair it. The Siegfrieds have similar issues, as alluded to by Makina and Reina talking about how Hayate beats the hell out of his while Messer's more refined style puts less strain on the unit. ... Admiral Ackbar, paging Admiral Gial Ackbar... it's time for your line sir. (Seriously, I'd rather not see Macross go the Fate route and throw a trap into the mix. I'm not about to kinkshame anybody, but Macross is plenty weird as it is IMO.)
  22. Seto Kaiba
    Since anything insane is on the table thanks to creator dickery, I propose that Rey is Leia's illegitimate child via Chewbacca... Han did say she could use a good kiss.
  23. Seto Kaiba
    Only to return as a massive troll trickster mentor to the hero of a new generation? An oldie but a goodie in mythology, but you can understand why Yoda's force ghost showed up to chew him out later... Luke was stealing his bit.
  24. Seto Kaiba
    Really, I think that's not necessarily a contradiction. Luke went looking for the first Jedi Temple to find some hope for the future and succumbed to despair along the way because he didn't really find anything to boost his spirits since it contained proof that this kind of thing happens a lot.
  25. Seto Kaiba
    It would have been a pretty poor effort even if it were meant to be buried at the bottom of a programming schedule to fill time. It was Southern Cross all over again... an ill-conceived, poorly executed, sloppy mess of a mecha anime that was trying to succeed by blindly copying its contemporaries. They mainly ripped off Code Geass and Gundam, but there were Macross touches in there too. I'm not sure they stuck around that long. Tatsunoko's had relatively few standout original properties of their own, with most of their successes being coproductions (Macross, Megazone 23, Video Girl Ai, Neon Genesis Evangelion) or licensed properties (Mach GoGoGo, Fate/stay night, Irresponsible Captain Tylor, Transformers shorts, etc.). Seems like a lot of their more creative members went and founded their own studios, like Ashi Productons, JC Staff, Production IG, Xebec, and TNK.
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