Jump to content

Seto Kaiba

Members
 View Profile  See their activity

  • Posts

    13444

  • Joined

  • Last visited

 Content Type 

Everything posted by Seto Kaiba

  1. Seto Kaiba
    Isn't it kind of the norm for a lot of properties, though? I mean, Star Trek has had what... ten movies and counting that follow on from the events of a TV series and there are supposedly two more in development. Doctor Who, Firefly, The X-Files, the 60's Batman series, a whole mess of kid's shows like Power Rangers, Pokemon, Transformers, etc. Most, if not all, wouldn't make a lick of sense if you weren't following the TV series that spawned 'em beforehand. A fair point, and well made... though my issue is less with the glowsticks themselves than the spacky twits who are usually found waving them about and making proclamations about Destiny and The Chosen One. Call me picky if you like, but to me there are few surer ways to make a character boring than establishing that they are almost literally being railroaded by Fate. It makes it less The Hero's Journey and more The MacGuffin's Sightseeing Tour. To me, a character like Mando or Cassian Andor is far more interesting because their choices actually matter. They're not some smug super who can see the future and solo a small army. They're ordinary people - well equipped sometimes but ordinary nevertheless - who can and do misjudge situations and screw up in potentially fatal ways. They're able to occupy moral shades of gray instead of the world of black-and-white moral absolutes the Jedi and Sith exist in. As a result, I'm vastly more interested in something like a Mandalorian movie than I could ever be for something like the semi-recently announced Rey movie about founding a new Jedi order.
  2. Seto Kaiba
    Hrm... I don't know about that. Andor has, thus far, been refreshingly free of any members of the glowstick society and season two is likely to be the same. Rogue One IMO left it at least debatable whether that one monk was actually a force user or just working with blindness-heightened senses, and Darth Vader only shows up very briefly. IIRC, Solo: a Star Wars Story was generally free of them as well except for that brief cameo at the end. IMO, the sequel trilogy and The Mandalorian are fantastic examples of how treating the presence of force users as a narrative obligation can backfire horribly.
  3. Seto Kaiba
    I can see it now... "Somehow, Moff Gideon returned..." and then the Empire invades/bombs Mandalore again.
  4. Seto Kaiba
    Hrm... it's not the worst idea Disney's had for the Star Wars brand. After nine movies of the Jedi order's baggage, the last few of which have been incredibly tedious, the idea of Star Wars taking its setting to some new and different places without handcuffing itself to the agency-less glowstick fetishists definitely has some appeal. I'm not sure Mando and Grogu are the right vehicle for it, though. It's different, but it's not that different. Mando spends most of his time in the franchise's trademark Wretched Hives of Scum and Villainy or in remote rural areas populated only by dirt farmers, alien raiders, and space monsters. They even issued him his own glowstick by the end of the second season and he rubs shoulders with the few remaining Jedi. For my money, I'd rather see a story that explores more of what the setting has to offer. It can't be ALL wretched hives and remote farming villages. Generic space cowboy adventure can be fun and exciting, but IMO it doesn't make for particularly memorable or impactful storytelling. If it gets made, I suspect The Mandalorian & Grogu will be an all-right-but-not-great summer action movie... kind of like the J.J. Abrams Star Trek movies. Maybe this is their saving throw for the guaranteed-to-be-controversial Rey movie.
  5. Seto Kaiba
    Definitely questioning the wisdom of whoever decided the time was ripe for another season of Blue Exorcist. It took a while for me to figure out why the animation in Blue Exorcist: the Shimane Illuminati Saga looks so off. Not only is it a different studio doing the animation production work (Studio VOLN instead of A-1 Pictures)... it's been full-on seven years since Blue Exorcist: Kyoto Saga. I didn't realize it'd been so long, so that certainly explains the first episode's heavy use of As You Know. The character designs were updated from the ones A-1 Pictures was using for the previous two seasons, and while some characters came through almost unchanged others (esp. the women) had their body proportions changed enough that some of them almost look like completely different people. Not a great choice of story arc to come back in on either, considering Blue Exorcist's story was never particularly strong and they came back on what was basically a breather episode between major story arcs. The Unwanted Undead Adventurer is another one of those fantasy titles that takes almost all of its pointers from isekai without actually being one. The world inexplicably runs on JRPG/MMORPG logic, dungeons are everywhere for no clear reason, adventurer is an occupation run by a trade association and they're basically just monster-hunting mercs with an ill-defined rank system based on different metals, and the protagonist dies at the start and is reincarnated as a monster only to spend his time leveling up to reach the point of being able to do human stuff again. It's basically the exact center of a Venn diagram of Overlord and That Time I Got Reincarnated as a Slime... just with the protagonist ending up reincarnated in the same world where he died instead of going to another. It's not bad, but it does feel pretty bland and derivative. I will say the staff did surprise me somewhat with the attention they put into correctly animating the movement of the anatomically correct skeleton.
  6. Seto Kaiba
    Since it was an astonishingly slow day at the office, I got a few more episodes in... Finished Demon Slayer - Kimetsu no Yaiba's "Entertainment District" arc. It has all the same problems as the rest of the series so far, particularly its preoccupation with waiting until characters are dead or at least dying before bothering to give them any exposition whatsoever. Unlike the rest of the series, that arc actually has a fair amount of fanservice in it... a factor I had hoped the series would continue to do without. I guess someone at the publisher must've said something for the series to so suddenly switch from having basically zero fanservice to having three scantily-clad kunoichi and a barely-dressed demon woman all at once. Hopefully they'll reverse course on that now that all four of those characters have exhausted their roles in the story because honestly I think it works better without the fanservice. Also watched The Foolish Angel Dances with the Devil... and boy is it forgettable. Honestly, I watched it barely an hour ago after I finished writing my last post and I seriously cannot remember 90% of what happened in it. Heaven and Hell are at war, both sides have sent emissaries to Earth for some reason as high school students, and the new devil student is captured after accidentally outing himself to the angel in class. It's so generic and unremarkable that I swear I can almost feel my memory of watching it fading. It's not good and it's not offensively bad either. It just sort of exists. Its story is the animation equivalent of the color beige or maybe that middle gray that every cubicle wall on Earth seems to be. I think I'll give it another episode or two to find its feet, but I can't see this one developing past the writing equivalent of white noise. I still have The Unwanted Undead Adventurer and Tales of Wedding Rings on the docket yet.
  7. Seto Kaiba
    Started The Wrong Way to Use Healing Magic... and barely five minutes in I'm already feeling like this show has lost me. If your first episode exists to grab the attention of the audience and hold onto it, all I can say to describe this one is "butterfingers". Like, ok... isekai stories always take a minute or two to establish that the soon-to-be isekai'd protagonist is a loser, a shut-in, or otherwise just kind of a no-hoper.* This series spends a good seven-and-a-half minutes on the main character all but turning to the camera and directly stating "Golly, I'm so ordinary and unremarkable I sure hope I don't have anything interesting happen to me like getting isekai'd!". Honestly, the whole premise of "Standard Western Fantasy Kingdom summons X many Japanese high school students across realities to be The Hero and defeat the Demon Lord" is so overused that it's impossible to take seriously. It was novel the first few times, but it has become a Default Trope to the point that it feels like "It was a dark and stormy night" levels of bad writing to use it. The introduction to the main storyline here is so form letter that it's actually kind of hard to watch. Really, the only thing livening the proceedings up at all is the student council president who got isekai'd with her VP and the random student seems to be getting off on it. The rest is just a slightly less lazy version of Isekai Cheat Magician with the protagonist having an affinity for a rare/obscure type of magic that he wrong-contexts into being overpowered. * Outside of the rare exceptions like Isekai no Seikishi Monogatari or The Hero is Overpowered but Overly Cautious where the whole joke is that the protagonist is unnervingly hypercompetent, or the even rarer situations like Youjo Senki where the protagonist is a proper adult who nevertheless runs afoul of truck-kun because they decided to nitpick The Powers That Be.
  8. Seto Kaiba
    Being able to cross interplanetary distances basically instantaneously and interstellar distances in only a short time is pretty darn useful, yep. High powered engines'll only get you so far, since any ship has a limit to the amount of fuel it can carry at one time.
  9. Seto Kaiba
    Or Macrossnald's... that's what it was in the TV series.
  10. Seto Kaiba
    Decided to go for one that dropped today, Villain-san's Day Off... a comedy about what a standard tokusatsu villain does in his copious free time when he's not fighting teenagers with attitude. It seems to mostly consist of a tall and fairly intimidating gentleman doing ordinary everyday things with an incredibly overdramatic voiceover to remind the audience of the conceit that he's a card-carrying villain when he's on the clock. It's... wholesome? A little funny, but mostly just kind of slightly silly. Also went for 7th Time Loop: the Villainess Enjoys a Carefree Life Married to Her Worst Enemy. We've been seeing a lot of these otome game-type shows lately, and most of them are pretty weak stuff so my hopes are not high going in. At the very least, the production values are higher than Tearmoon Empire or I'm the Villainess, So I'm Taming the Final Boss. An awful lotta blood and dying for the start of an otome storyline though... yeesh. Lotta disembowelings too. Starts pretty much the same as all the others too... the usual "the prince cancelled his engagement for a flimsy reason and now the main girl is running off to romance the bad guy" schtick. (It is mildly amusing that the first episode is basically just a very long tale of the universe repeatedly going "Would you please stop getting caught up in a war and dying?".)
  11. Seto Kaiba
    It is... but as far as we know it's never been used that way (to facilitate long-range patrols), no doubt due to the very limited range of small craft without fold capability. It's only ever been presented as an emergency measure to protect the life of a mecha's operator when immediate rescue is not possible.
  12. Seto Kaiba
    Just as well, imagine the DoorDash/GrubHub service charge for a trip of 5.4 billion km...
  13. Seto Kaiba
    The Strongest Tank's Labyrinth Raids is pretty thinly written standard "the world runs on RPG logic" fare... it's halfway to being Bofuri but without the conceit of being in a VR MMO, with the hero being a tank who's kicked from the standard fantasy hero's party so the hero can expand his harem with more girls and discovering he's got defense skills that make him stupidly broken. It feels very... half-assed? Quarter assed even. The first episode feels like the product of an isekai/MMO series mad lib. Banished from the Hero's Party season two is pretty unremarkable stuff as well. Tomorrow over lunch I'll probably tackle Tales of Wedding Rings or The Wrong Way to Use Healing Magic.
  14. Seto Kaiba
    Yeah, it's actually kind of depressing how many shows in Crunchyroll's Winter 2024 lineup are isekai or at least isekai-adjacent with the whole "fantasy world that arbitrarily runs on JRPG or MMORPG logic" schtick. The only titles I've found in that genre that I've considered actually good or at least interesting are the ones that subvert the genre's usual power fantasy formula... Overlord for its protagonist being an overpowered villain, Youjo Senki for its "god hates me specifically" plot and its protagonist who wants anything BUT fame and power, KonoSuba for its heroes being a pack of incredibly dysfunctional morons, Re:Zero for its unstinting commitment to reality ensuing WRT a useless hikikomori being equally useless in a fantasy world too, and Ascendance of a Bookworm for its protagonist being thoroughly uninterested in ANY isekai shenanigans (or indeed anything outside of her monomaniacal desire for books). So much of what that genre produces is so transparently derivative of a handful of first-gen plots that the whole genre feels like shovelware sometimes. Still... gonna give the season's new offerings a whirl. I've already tried the first episode of Mashle's second season and found it... ok, but not great. Weird pivot to Mash's lack of magic suddenly being out in the open with no preamble and now having to Prove His Worth, but hey... if they wanna mess with a man who could probably punch god to death over a cream puff, so be it right? Mash is just Saitama with hair, in off-brand Harry Potter. My next port of call is A Sign of Affection, a romance comedy series about a deaf college student and a young man she takes a fancy to after he helps her out with a tourist who doesn't understand she can't hear him. The shoujo manga art style shines through this one's animated art style to an almost distressing extent... the original artist clearly has a type. No judgement, just... every single man is tall, slim, with a narrow face, and big pouty lips. It's like a island of misfit boy band members. The series does take considerable care to emphasize the social complications involved in having a disability and having to explain that disability to others. The launching point for the romance seems to be that Itsuomi (the lead man in the story) consistently puts in the effort to make things easier for Yuki (the main character). It is relentlessly cute. I'm interested to see where this one goes.
  15. Seto Kaiba
    Yeah, that's where they got the Daedalus and Prometheus... thankfully with minimal losses among the crews of both ships due to their airtight semi-submersible nature. I'd guess they'd probably leave it alone... it's not only a memorial of sorts, but also technically kind of a mass grave considering how many soldiers and civilians died there during the first battle of the war.
  16. Seto Kaiba
    Yeah... at the outset, Winter 2024 doesn't seem like it's going to be a particularly enjoyable season in terms of anime releases. The one I really want still has a vague "Coming 2024" release date, but that's a movie... the Overlord movie adapting the Holy Kingdom arc. Crunchyroll's Winter 2024 lineup is still launching, but it's downright distressing how much of it is third- and fourth-iteration isekai copycat titles. There's one that popped out at me - The Strongest Tank's Labyrinth Raids - that might as well just retitle itself Borufi: Non-Cutesy Edition. The Unwanted Undead Adventurer reads like a darker take on Skeleton Knight in Another World, which was itself a ripoff of Overlord's Men of the Kingdom arc, but also The Legendary Hero is Dead. Isekai is quickly becoming the genre I wish would hurry up and die, much like western superhero movies. There are a few good and interesting ones, but it's mostly trash. I'm past Mugen Train... but it's still kind of a solid 5/10, maybe 6/10 on a good day. It really did make me stop and do a double-take at how similar Demon Slayer's Tanjiro and My Hero Academia's Midoriya are... right down to their color motifs. Is this just the era of protagonists having to be whiny doormats?
  17. Seto Kaiba
    All in all, it probably has a lot to do with when the SF-3A Lancer II was developed and that it was developed for the Earth UN Government's concept for planetary defense that didn't survive the realities of the First Space War. The Lancer II was a relatively early development from the early-to-mid 2000's, and it was developed around the idea of fortifying Earth against a classic alien invasion scenario. It presumably would have been operating from the static space stations in geosynchronous orbit to strafe enemies as they approached Earth under the original plan, before the UN Forces reworked the plans for those space stations into the ARMD-class space carrier. Even then, it wasn't really intended for deep space use. More like a sort of a space-based game of Red Rover where Lancers would strafe an approaching enemy on their way from one station or carrier to another. The UN Forces just fundamentally did not understand, at the time, the sheer scale of the enemy force they would end up facing. The UN Forces did also introduce the QF-3000 series Ghost in that approximate timeframe, but it should be noted that the Ghost was not a fully autonomous unmanned fighter. It needed offboard command and control from a ship or control aircraft, and a few sources assert that its early model semi-autonomous air combat AI was not the most stable and reliable system around. The sheer quantity of Lancer II's the Spacy intended to deploy for planetary defense would probably have made making them unmanned unfeasible or at least prohibitively expensive relative to the uncomplicated Lancer II design.
  18. Seto Kaiba
    Apparently there's a new season of Blue Exorcist that's also airing... I'd completely forgotten about that series considering how mediocre the first season was, but I guess it's still going.
  19. Seto Kaiba
    The island itself, and presumably the surrounding ocean that came with it, is still out there... but the crew of the Macross stripped it for absolutely everything usable (including the ships that'd been in the ocean) before setting off for Earth. They probably took a fair chunk of the ocean too, since water is an important thing to have not just for human needs but also as a propellant supplement.
  20. Seto Kaiba
    Not as such... the Lancer II does have a cold sleep function, but it's not for long-distance journeys. At least, not intentional ones. Despite being designated a space fighter, the Lancer II is actually a space attacker that functions rather like a manned missile. It's designed to make a single high-powered strafing run on an enemy ship and then be caught up to and recovered by an aircraft carrier. Its engine is a thermonuclear rocket that only has enough fuel to burn for 60 seconds (but at a gargantuan 153,000kgf) and its verniers are only good for about 5 seconds (but at a similarly gargantuan 230,000kgf). It has massive acceleration but basically no endurance, so it's designed to come screaming in at high speed, strafe the enemy ship with its high-powered particle beam cannons and thermonuclear reaction missiles, coast past the enemy, and wait for recovery. The low metabolic function cold sleep system built into the Lancer II's cockpit is there to cover the possibility that immediate recovery might not always be possible due to the loss of the carrier, the fighter drifting off course, etc. It's rated to operate for anywhere from 6 hours to 6 months using the Lancer II's backup power system. If a Lancer II with a pilot in cold sleep was discovered out near Pluto (which is ~36 AU from Earth) it would either have to have come out there on a fold-capable ship (by accident or design) and been mistakenly written off as destroyed, or its pilot is the luckiest SOB in existence having his life support system somehow hang on 50 times longer than it was designed to while his fighter spent 25 years or so drifting there at ~7km/s after missing a carrier recovery near Earth. If there are patrols out that far after the war, they're either operating from a base out there or from a fold capable carrier.
  21. Seto Kaiba
    Yes, the Macross's engineering crew mercilessly kink-shamed the gravity control system on the way back to Earth.
  22. Seto Kaiba
    Yeah... at one point, the Macross was going to have a 10km-diameter parachute for atmospheric reentry. It's only really mentioned as a side note in the outline of the early series development, alongside the other rejected/unused ideas that were later reworked.
  23. Seto Kaiba
    Well, the new season is starting... the first batch of simulcasts dropped on the major streaming services this afternoon. Just finished the first episode of Mashle's second season. It's a weird pivot considering where the previous season ended, but it's still plenty enjoyable. For now, I've got The Unwanted Undead Adventurer, The Wrong Way to Use Healing Magic, and A Sign of Affection on my to-watch list. More titles are going to become available in the next few days. I also ended up letting one of my mom's ESL students twist my arm into watching Demon Slayer. It's... not bad. Not great... but the main trio have an entertaining dynamic and it's an interesting if not particularly original concept. IMO its main problem is that it waits far too long to actually develop characters and thus every time a character with any kind of significance dies their death has to be bookended by obnoxiously long, flow-breaking flashbacks to their tragic backstory. It is rather interesting to see a shounen anime which is more or less fanservice-free up through the first season and movie. It's running entirely on the strength of its story, which is quite something for that genre these days. Also went back and started Frieren: Beyond Journey's End and started a rewatch of Tenchi Muyo!'s OVAs with a friend over the holiday. Frieren is interesting for its premise of your standard fantasy elf who doesn't quite get that other people don't live as long but not being an arse about it like most fantasy elves. At some point, also gonna go back and watch Phantasy Star Online 2: Episode Oracle since that's become available on Crunchyroll now.
  24. Seto Kaiba
    One thing I should add that I probably should have remembered in my original response but only just recalled a short while ago is that a battle in the asteroid belt was a part of the earliest versions of the series outline. It was one of the stories that was dropped or combined with other premises when the episode count was changed. It shows up in both the 52 episode outline and 48 episode versions of the series plan, but was dropped starting with the 39 episode version. The episode would have featured the "Asteroid Cracker", a special strategy/gimmick like the Daedalus Attack wherein the Macross would launch its anchor cables into a nearby asteroid and then swing that asteroid into enemy ships as an improvised weapon. Macross the First did finally bring this battle and rejected gimmick back in its version of the story, though the "Asteroid Cracker" strategy was changed from using the asteroid as an improvised bludgeon to using it as an improvised projectile. The anchor cables were used to help deploy a pinpoint barrier onto the back of the asteroid which was detonated, propelling the asteroid into enemy ships. (Three of the other four rejected gimmicks found their way into Macross in one way or another. The "Sunriser" weapon probably evolved into the barrier explosion from Burst Point, the Prometheus Attack probably evolved into the ARMD Attack in from the DYRL? games and Macross Attack in Frontier, and the "plate tectonics specal" that involved the ship kicking the ground so hard a chunk of the Earth's crust could be flipped up to use as a shield is indicated to have been the inspiration for Formation Big Wednesday in the Macross Frontier movies. The only one that hasn't been used is the giant reentry parachute.)
  25. Seto Kaiba
    So... we should clarify a specific point regarding the movie version ARMD-class here. In DYRL?'s version of the First Space War, the movie version ARMD-class was the only version of the ARMD-class to exist and it had essentially the same backstory as the version in the SDF Macross TV series. The class was designed with a fold system but the first few ships of the class were competed and launched without them because delivery of their fold systems was delayed. The Macross was docked to ARMD-01 and ARMD-02, which did not have fold systems at the time they were completed and would theoretically have received them via retrofit later on had the war not gotten in the way. The Macross ongoing official setting has a somewhat different view of the movie version ARMDs. As with so many of DYRL?'s new designs, both the TV and movie versions coexist but the context of the movie designs is not always the same as what's presented in the movie itself. The official setting treats the Super Dimension Fortress Macross TV version of the ARMD-class as the correct design for the ARMDs of the First Space War period. Its movie version is recontextualized as being a new class of ARMD ("ARMD II-class") that was introduced after the First Space War and used both as a standalone space carrier and docked to the mass-production Macross-class ships to support their air wings. The ARMD II-class, being intended for use both domestically and with emigrant fleets, was designed to be fold capable. It's implied that something like 200 of them were made in the 2010s and 2020s before the class was discontinued in favor of the next-generation Guantanamo-class Advanced ARMD that serves as the main carrier of the New UN Spacy thereafter. In the movie's story, ARMD-01 and ARMD-02 didn't have fold systems yet when they were completed and connected to the Macross. Given that the in-universe version of the movie was filmed with cooperation from the Spacy and to an extent used actual ships and mecha, the ship standing in for the Macross in the film was almost certainly a late 2020s era mass-produced Macross-class (many fans suspect the SDFN-01 General Takashi Hayase) with fold-capable ARMD II-class ships for arms.
×
×
  • Create New...