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Posts posted by ssfsx17
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- Against enemies who aren't the red space monsters or the lifeforce-suckers, you don't have to put any effort whatsoever into fighting. The enemies will conveniently aim away from the cockpit, allowing your pod to automatically detach from the rest of the valkyrie where you can wait for a pickup. (this law is also called the Law of Wing Commander 2 Wingmen)
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i don't think it is a coincidence, otherwise why would the NUNS millitary have such interest in having her safety as top priority?
also i still belive that she is the reason of the space bugs attack. could they be trying to retrieve her from human control?, it seems that she was the target during this initial engagement. tough if she is so valuable for the NUNS i would be more practical to have some backup cpoies (clones) of her for wathever purpose the goverment has.
if part of the series plot adresses this issue it would be quiet interesting.
Hmm, maybe she's a clone of Sara. I think the blacksuits are more than capable of looking up the first professor who visited the island and digging up the blood samples that he had taken... unless they're the blacksuits from Macross 7.
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That sir is the totally hot cougar, Mari Ijima the voice of SDFM's Minmei.
It is amazing how she has gotten "Better Looking" as she has gotten older....

I knew this one guy in high school who had an unhealthy obsession over her. He kept on talking about how he would go down to L.A., beat up her husband and marry her for himself. He liked to puff-puff every now and then, but he told me his plans while he was sober.
Back on-topic: A few years ago, I used to watch videos and carefully analyze their picture quality - in particular, I had to watch out for pixellation and frameskipping and stuff. Even *I* am willing to watch something on Youtube and say that it's good.
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Lyrics is released!!!
射手座☆午後九時 Don't be late
重力反比例 火山みたいに 光るfeel
君はしってンの あたしのBeating Hole
妄想のGalaxy 滑り落ちたらPoison Stick
何億光年 大胆なキスで
飛び越えろ 腹ペコなの
次のステージへ行きましょう
もってけ 流星散らしてDate
ここでイケる 名前と
エクスタシー焦がしてよ
飛んでけ 君の胸にSweet
おまかせしなさい
もっとよくしてあげる あげる
射手座☆午後九時 Don't be late
(Don't be late lovely date)
I love how a star symbol is an official part of the lyrics.
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Well, at least they're not trying to radically change the gameplay the way that KOF: Maximum Impact did. Still, SF3's style was already pretty close to perfect - why change the visual style now?
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Don't forget the term "yuck deculture," which is said when the Zentraedi see people holding hands and kissing and stuff.
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It's the DYRL-Minmay disguise!!!!! And.... Sheryl's trying to get all up on Ranka?
Also, wouldn't it be funny if the love triangle was that Ranka loved both Alto and Sheryl, because of how beautiful they were?
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- "Yuck de Culture" is the Zentraedi term for "I'm feeling strangely aroused"
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- A singer's obnoxiousness is equal to the loudness of his/her singing to the tenth power.
- The younger girl never gets the guy. Never.
- All Zentraedi men who are not from the original series are totally screwed and are going to die. Probably in a very gruesome way. Especially if you're in DYRL, you should just shoot yourself in the face before someone does it for you. (I'm assuming the guy in Macross F with facepaint is a Zentran too)
- All Destroid / tank drivers are totally screwed. If you join the UN Spacy and are assigned to a ground vehicle, you should just commit suicide immediately.
- You can never run out of missiles. Even if you are clearly shown shooting off every single missile attached to your wings, you've still got more missiles.
- Fold-Drives never work the same way twice, whereas everything else - guns, missiles, etc. - always work the same way all the time.
- The head-guns are absolutely useless.
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After the first episode of Macross Frontier came out, I typed in "macross fansite" into a search engine and found this site.
Macross 25th Anniversary and Macross F/Frontier news thread III
in Hall Of The Super Topics
Posted · Edited by ssfsx17
I don't think so... I don't hear the sound of stuff flying around and getting shot to pieces in the background.
EDIT: The music sounds an awful lot like it was either composed by Yoko Kanno herself or was heavily influenced by the stuff she did for Maaya Sakamoto