Jump to content

Saruta

Members
  • Content Count

    445
  • Joined

  • Last visited

Community Reputation

22 Excellent

About Saruta

  • Rank
    Skull Leader's Lackey
  • Birthday 05/29/1977

Contact Methods

  • Skype
    mikhail.ramendik

Profile Information

  • Gender
    Male
  • Location
    county Limerick, Ireland
  • Interests
    Osamu Tezuka, science fiction, history, Christianity
  1. I still want some effective storytelling and character development and interesting and emotional arcs. And I'm fine with them being about an idol group fighting a galaxy-wide danger (beats fighting closure of a school, at least).
  2. Well for me another memorable - perhaps the most memorable - song is "Walkure wa Uragiranai" and in that particular case, as well as Absolute 5 surrounding it, the lyrics actually have a lot of relevance to the story. But this was the movie. Apparently, they realized the problem and this was a fix. There is a great song from the series with lyrics relevant to the story, though! It's "Bokura no Senjou", an actual song about aerial warfare for a change. But I don't even remember *where it is* in the series. (Another one I really like is "Love Thunder Glow" but not sure if it even was in the series at all. It appears to be a JUNNA solo, the only difference from other JUNNA solos like "Vai Ya Vai" being its release via Walkure? And yes I just want more JUNNA solos and am trying to work out how to buy them off iTunes given that I use Linux). The lyrics dissonance seems to be one of the story points they, so far, missed the chance to explore. So we see this power-clone Mikumo sing a song about being madly in love in a very, er, sexually engaged way, "Ikenai Borderline", while kicking some bigtime ass. But - she never was. She never could be. She is three years old! Yet she speaks Japanese (or whatever language she sings in, if "translation convention" is in use) so knows what she is singing about. What is this doing to her? What is it like to power the world with emotions you have no experience, nor education, to understand? Yes, this thing explicitly happened to her in the Sigur Valens... but it was also going on *from the start of the series* and no writer batted an eyelid to tell us any detail? Perhaps *that* is why the baddies could use her comparatively easily? (One sincerely hopes JUNNA also never was by the time she recorded the song, being 14 and all, so it is yet another "close to home" moment). If they were to explore this all in the second movie it would be great. They would need to provide for some mecha action for it to be Macross and to pull a triangle from their, er, backside - or give Mirage a knife already. But whatever. Mikumo is the one I really want to know about, whether or not she is in a triangle. (I do doubt they would go for my preferred triangle with Mikumo - Freyja - Hayate in THAT order, but whatever, just Mikumo and the huge level of angst this story calls for).
  3. I have just done a binge listen of Love Live (both generations) and Idolmaster (Cinderella) music for my own research purposes. The obvious difference from Walkure is a far narrower emotional range. Walkure can be angsty. Waklure can be mad-power-tripping. These girls can only be cute and/or inspiring and/or happy and/or hopeful, and perhaps slightly sad, despite having many more songs than Walkure does, and despite some of the creator names involved being the same (Takuya Watanabe, whose work I liked in "Absolute 5" and "Uragiranai", also wrote "Happy Party Train" for Aquors). This, of course, might be because of the "cute girls doing cute things" trope, heavily used by the LL and Idolm@s franchises and pointedly defied from the very beginning by the Macross franchise. So I wonder - are there any Japanese idol groups that would actually have an emotional range comparable to (or greater than) Walkure? I really don't know much outside those that got animated (the latter includes AKB48 thanks to Kawamori but I'm not through too much of their work yet but they do seem rather narrow emotionally from what I saw so far). What, if anything, *should* I be looking at? Japan only, not Korea.
  4. The entire Hitler discussion seems to ignore World War I, which *was* totally a meaningless conflict of sides that just refused to talk to each other. And more wars are like WWI than like WW2. In a fictional universe, one has to *work* on a genocidal dictator the size of Hitler being logical and not cartoonish. By the way I think SDFM did a decent job with Boddol Zer, his "wipe the Earth" attempt actually makes sense. Also re grimdark. Macross, post SDFM ep 27 is a post-apocalyptic universe. And they managed to make *that* upbeat, despite the setting being typical grimdark. I don't really see a chance of going full-on grimdark after this, you probably can't top that level of destruction (and still have a plot). Unless they actually go for a "Macross the First" style SDFM reboot, then the destruction of Earth and its aftermath could be shown in a more realistic style which would be grimdark enough. Card-carrying villains are not as easy evein in SW. I know a few Star Wars Empire fans. I think the logic goes that the Republic, with the Jedi, is just an endless squabble that makes humanity defenseless in the face of enemies like the Yuuzhan Vong. The Empire is a way, imperfect as it may be, to unite galactic humanity for its survival. I don't really have a dog in the Star Wars fight, but from what I know of the fandom, it's far from one-sided.
  5. Is there a play-by-play of the Delta movie big battle somewhere? I have rewatched a few times but still don't really understand who shoots at whom at what moment, or how Walkure got protected from an Itano Circus aimed at them, or exactly how Roid and Keith are facing each other in person moments after sword-fighting in mecha, etc, etc.
  6. A lady who speaks fluent Japanese helped me find his Japanese Wikipedia page with a list of his works: https://ja.wikipedia.org/wiki/渡辺拓也 And one name jumped out at me. Our old friend May'n! So here is Sheryl Nome, er, May'n singing something by the same composer as Walkure.
  7. Could anyone tell me where o find more Takuya Watanabe works? His (her?) two Walkure songs rock and I think the composer has more somewhere but where?
  8. So I'm writing English lyrics for at least one Walkure song that some ladies want to sing. But while my English is good it's still not fully native, and besides most everything benefits from a beta read. Is anyone here understanding enough of English-language poetry to have a look over? Or else, where should I go to find one? Thanks!
  9. Hello, Seeing as I like "Walkure wa Uragiranai" and "Absolute 5" most of all Walkure tracks, I'd like to hear more works by Takuya Watanabe. No idea if he is a next-Kanno candidate or a one-trick pony or something in between, but would love to know. I would appreciate references to his works, ideally something one can hear online (youtube, nico, crunchyroll, etc)
  10. Re the writing issues... Re-reading "My fair Minmay", in Gubaba's excellent translation. It seems that "having drafts for good stingy writing with character development, then DROPPING them before final version" is a time-honored Macross tradition. I would really love to know what they had in the drafts for Walkure.
  11. Well the comparison was AKB stuff, as the "quintessential" idol group, largely as seen through the 0048 anime but I've seen some videos of lives too. I am not a musician and so this is a listener's unprofessional opinion. Walkure manages to be an unmistakable idol group while, musically not just visually, actually highlighting the individual qualities of members - not subsuming them into an overwhelming "idol machine". Probably because of this, Walkure works convey a more dynamic emotional power. Initially, they had a tendency to highlight just Freyja and Mikumo and the contrast between "Mikumo and the rest" (with the exception of character songs like AXIA or Silent Hacker); they have strongly improved on this in recent works, very notably Walkure wa Uragiranai (as I understand they brought in a new composer team?) The premises of the respective animes might even highlight the difference. One can imagine, say, Makina dying from her wound and being replaced and Walkure surviving and rising to kick ass again. One can *not* imagine the new member becoming "Makina II". There is a Freyja/Mikumo sync, quite evident in Episode 22, which appears to be a Fold Receptor coherence (not really a full Ranka/Sheryl thing in canon, though one *could* argue Ranka/Sheryl feeling in Frontier was really the result of them both having fold infection). But even that sync does not "make them one" in the AKB way.
  12. There was a scene in Delta series where a NUNS flotilla was immune to Var and kicked some Windbag ass, apparently, according to some sources. But I totally forgot it. Could anyone please share the episode number? (If it's true of course)
  13. I gotta say Walkure music is growing on me as I see what the general Japanese idol scene is like. I really don't know how they found a composer (group?) that could hold up the banner after Kanno but they did, and the concept seems similar to Frontier: take current trends, make them better.
  14. Where wsa it mentioned that she is from Divide and that planet has a civil war? I missed that part.
  15. I watched the first (double) episode of Umamusume Pretty Derby because base on the trailer I thought they would screw up. They did not, and I ended up watching all 13 as they got released. The end result so far was me getting into actual horse riding and also producing a fanfic about the non-thoroughbred horsegirls in that world and its history including a "Genghis-chan" (sorry, it's in Russian; I failed to make up a proper framing device in English). It ran in Spring'18 season but is still current - OVA was announced (should have been released the day before yesterday on BD, but apparently was not).
×
×
  • Create New...